一部有关芬兰瑞典族作家和插画家及姆明动画形象的创作者图苇·杨松的传记片,电影围绕着图苇·杨松的早期生活而展开,从战时到1950年代中期。电影同时表现了她的个人情感,以及姆明角色和畅销系列小说的创作过程。
苏真同父异母的姐姐苏倩死在自家浴缸里,是自杀还是他杀? 因喜欢苏真而不能面对这份感情的苏倩有男友刑警子聪,出现场后与苏真再次见面。 此时苏真已有一位男友,外资公司的一位投资人董玉峰。随着案情侦破的递进,真正的凶手居然是董玉峰。
十年前,编剧张文斌的妻子美琴因贪图享乐和赌博而抛夫弃子,张文斌与其离婚。十年后,已成影视新秀的儿子张子涵为父亲鸣不平,踏上了一条万分纠结的“寻找母爱”和“复仇”之路。善与恶何去何从,爱与恨情何以堪,因与果相辅相成,是与非谁来澄清。
阿里山測候站職員何志平(金石飾)平日專心於自己的研究工作,因而忽略了他的妻子君麗(穆虹飾),孤獨的君麗精神十分不穩定,經常依賴酒精來麻醉自己。志平的弟弟志雄(歐威飾)不學無術,安排流氓高大豪(唐菁飾)前往測候站躲避警方的追查。 逃亡途中,大豪遇到離家出走的小姍(羅宛琳飾 ),二人偽裝成父女前往阿里山。大豪在山上結識了少女阿紅(唐寶雲飾),阿紅的天真讓大豪感到愧疚,欲帶小姍離開。此時君麗卻意亂情迷,竟在颱風夜裡衝入大豪房內,欲與其一起逃離。 無奈風雨過大,又逢警方把守,三人只好折返測候站,小姍也因此感染肺炎。在良心的譴責與志平的勸服後,大豪終於決定將小姍送醫,並前往警局自首,而志平與君麗也重修舊好。 1962年第9屆亞洲影展最佳女配角獎─唐寶雲 1962年第9屆亞洲影展最佳女童星特別獎─羅宛琳
俊明是位作家,除了寫作,還喜歡攝影,為了治療風濕痛的腿,在他個人的環島畢業旅行中,順路到北投一趟。俊明在一家旅館內結識了一名服務生明芬,兩人情投意合,相處得極為融洽。後來俊明才知道明芬有一個雙胞姐姐明惠,明惠端莊賢淑,具有中國的傳統美德,明芬俏麗活潑,惹人憐愛,明芬原本有個丈夫家祥,但家祥體弱多病,為了不連累明芬,明惠乃代替明芬,長期的照顧家祥。
Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author: TimothyFarrell from Worcester, MA "Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10) -from imdb